He began painting at age 14 and studied Russian literature in Paris. He also began to create dense compositions of segmented lines rendered in neon tubes, seemingly suspended in the air. Membre fondateur en 1960 du Groupe de recherche d’art visuel (GRAV), il a multiplié les types d’intervention plastique, depuis la peinture sur châssis jusqu’aux projets dans la ville et l’architecture qu’il intitule « désintégrations ». He also became friends with Joël Stein and was introduced to the work of Marcel Duchamp and Piet Mondrian. François Morellet was born in Cholet, France, in 1926. The artist denied the significance of “information-bearing painting” with wit and humor, an approach that he shared with artists such as Bruce Nauman.Morellet’s work has been included in important international group exhibitions including In 2016, the artist died in his Cholet home at the age of 90.A loaded schedule of art events and exhibitions is scheduled in New York for the week of August 10-16, …Juergen Teller’s football fever, light and shadow at Lévy Gorvy, and more cultural intel to help you …...while there hadn’t been much awareness of Morellet in the United States in the past, the situation …Partly inspired by minimal, disruptive composer John Cage, who was a contemporary, Morellet developed … Upon completing his studies, he returned to Cholet in 1948, continuing to paint while running a family-owned toy factory until 1976. Upon completing his studies, he returned to Cholet in 1948, continuing to paint while running a family-owned toy factory until 1976. “We were passionate about modern materials that hadn’t yet been ‘polluted’ by traditional art. François Morellet was born in Cholet, France, in 1926. Entrée de l’exposition Centre Pompidou, Galerie 2, 2011 Photo Philippe MigeatFrançois Morellet a, pendant plus de soixante ans, développé une œuvre majeure au sein de l’abstraction géométrique. In the 1960s, Francois Morellet joined Groupe de Recherche d'Art Visuel (Visual Art Research Group, or GRAV), an experimental group that made installations using non-traditional art materials. We particularly liked anything that could produce movement or light.” Working primarily in neon, which appealed to Morellet because it combines line, light, and, when blinking, movement, Morellet gave his enigmatic pieces incongruous titles, using puns and palindromes, to keep them from appearing too solemn.2 trames de tirets 0° 30° (13cm de haut chacun), 197119 lignes parallèles et 21 lignes parallèles avec 1 interférence, 19745 lignes au hasard (PI) en peinture et en néon n°6, 20122 trames de tirets 0° 30° (13cm de haut chacun), 197119 lignes parallèles et 21 lignes parallèles avec 1 interférence, 19745 lignes au hasard (PI) en peinture et en néon n°6, 2012Represented by internationally reputable galleries.2 trames de tirets 0° 30° (13cm de haut chacun), 197119 lignes parallèles et 21 lignes parallèles avec 1 interférence, 19745 lignes au hasard (PI) en peinture et en néon n°6, 20122 trames de tirets 0° 30° (13cm de haut chacun), 197119 lignes parallèles et 21 lignes parallèles avec 1 interférence, 19745 lignes au hasard (PI) en peinture et en néon n°6, 2012Represented by internationally reputable galleries.limited editions of 20th century masters and some young talentslimited editions of 20th century masters and some young talentsTwo French Masters of Neon Light Up a Santa Fe Gallery We particularly liked anything that could produce movement or light.” Working primarily in neon, which appealed to Morellet because it combines line, light, and, when blinking, movement, Morellet gave his enigmatic pieces incongruous titles, using puns and palindromes, to keep them from appearing too solemn.In the 1960s, Francois Morellet joined Groupe de Recherche d'Art Visuel (Visual Art Research Group, or GRAV), an experimental group that made installations using non-traditional art materials. Réinstallations. His early work prefigured minimal art and conceptual art, and he played a prominent role in the development of geometrical abstract art. In 1961, he founded the Groupe de Recherche d’Art Visuel (GRAV) with Stein and fellow artists Julio Le Parc, Jean-Pierre Yvaral, Francisco Sobrino, and Horacio Garcia Rossi. Morellet rejected the idea of the individual genius-artist and adopted a stance that artists are facilitators. His early work prefigured minimal art and conceptual art, and he played a prominent role in the development of geometrical abstract art. This position allowed him to finance his early artistic career while bringing him into dialogue with fabricators and exposing him to material production techniques, which greatly invigorated his artistic practice. The group pursued what Morellet termed “programmed experimental painting”: a mode of art-making which sought to actively engage the viewer through immersive, multi-sensory installations. François Morellet, Sphere - Matter 1962, Skupturengarten Abteiberg Museum in Mönchengladbach François Morellet (30 April 1926 – 10 May 2016) was a French contemporary painter, sculptor, and light artist. L… François Morellet se classe parmi les artistes pionniers de l'utilisation du néon dans l'art. “By the early Sixties, my friends in the Groupe de Recherche d'Art Visuel and I had become convinced that the age of painting, of canvases and sculptures had come to an end, over forever,” Morellet explains.